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Mythen und Menschen: Griechische Vasenkunst aus einer deutschen Privatsammlung. Two archaeologists and an art historian complete the team of in-house experts. PROPERTY FROM THE ESTATE OF A CONNECTICUT PRIVATE COLLECTOR Note: For a related gryllos combining a bearded mask and horse head together with a dolphin, see no. While the physiognomic details of her portraits vary very little over her long life, the style of her coiffure does evolves over time. Les Enluminures The Benjamin Zucker Family Collection is renowned for its breadth and depth in certain areas, such as precious colored stones, Jewish marriage rings, and diamonds. Sutton, ‘Lovemaking on Attic Black-figure Pottery: Corpus with Some Conclusions’ in S. Jean-David Cahn is a classical archaeologist and was JRF at Wolfson College, Oxford. Photo Christie’s Image Ltd 2014 The flat oval stone engraved with four rows of chevron indicating waves, with a fish, two dolphins above, winged Victory standing atop a dolphin head, proffering a wreath to a gryllos composed of a bearded mask joined to a horse head, a branch emerging from its mouth; mounted as a pendant in a modern gold setting, ornamented with granulation and suspended from a woven gold chain; 1 1/3 in. Provenance: with Ariadne Galleries, New York, 1984. Note: Livia Drusilla (30 January 58 BC– 28 September A. 29), wife of Rome’s first Emperor Augustus, is easily recognized from her many surviving portraits in marble, on gems and on coins. On our gem she has the addition of a crown of laurel, also seen on other gem portraits of her from this period, including a sardonyx cameo in The Hermitage, no. Renaissance Rothschild Diamond Ruby and Enamel Gimmel Ring with Memento Mori, dated 1631. Notes: Roman finger rings sculpted from a single piece of stone are comparatively rare. Marshall, Catalogue of the Finger Rings, Greek, Etruscan & Roman in the Departments of Antiquities, British Museum; no. For a rock crystal ring set with a gold medallion, see no. Étiquettesbeaker, Beaker with Greek Inscription, Cup with Gladiators, Dip Mold, Eastern Mediterranean, Ennion, Gaul, Glass, Head Flask, Lotus-Bud Beaker, Northern Italy, One-handled jug, Palestine, Pyxis with Lid, Rhineland, Ribbed bowl, Roman, Roman Empire, Syria, Western Asia One-handled jug signed by Ennion, Roman, blown in a four-part mold, 1st half of 1st century A. Unknown provenance, but said to have been acquired from a collection near Naples, Italy. Ewer (detail), Ennion, Probably Syria, Possibly Palestine, 25-75. Les Enluminures NEW YORK – Les Enluminures New York, Paris, Chicago is pleased to present “Cycles of Life: Rings from the Benjamin Zucker Family Collection,” an exhibition of 41 exceptional museum-quality rings selected from the celebrated private collection of one of today’s world leading gem dealers, experts, and connoisseurs. Mac Gregor, Catalogue of the Engraved Gems and Finger-rings in the Ashmolean Museum, II, Roman; and nos. The type typically has the bezel engraved in intaglio for use as a seal, rather than with a separately-made gem in-set, as here. The use of obsidian for a finger ring in the Roman period is exceedingly rare. ANCIENT JEWELRY, 11 December 2014, New York, Rockefeller Plaza. NEW YORK, NY.- Glassmaking originated around 2500 B. Étiquettes2nd-1st century BC, 3rd - 4th Century AD, ca 1630-40, De Clercq, Diamond ring, garnet heart, Greek snake ring, Hellenistic Greece, Late renaissance diamond cluster ring, Les Enluminures, Medieval Sapphire and Gold Ring, Memento Mori, Memento Mori Ring, Mourning ring, Perpetual Calendar Ring, Renaissance Gimmel Ring, Roman, Rothschild De Clercq Roman Diamond Ring, 3rd – 4th Century AD. Chadour, Rings, The Alice and Louis Koch Collection). Cup with Gladiators, Roman Empire; Northern Italy; Rhineland; Gaul, 25-75. Beaker with Greek Inscription, Roman Empire; Syria; Palestine, 1-99. Bowl signed by Ennion, Roman, blown in four-part mold, 1st half of 1st century A. Said to be from Sidon, Lebanon Chrysler Museum of Art, Norfolk, Virginia, Gift of Walter P. Head Flask, Roman Empire, probably Eastern Mediterranean, 59.1.150. After the presentation at the Metropolitan Museum, the exhibition will be shown at the Corning Museum of Glass (May 15–October 19, 2015). Exhibition design is by Daniel Kershaw, Exhibition Design Manager; graphics are by Mortimer Le Bigre; and lighting is by Clint Ross Coller and Richard Lichte, Lighting Design Managers, all of the Museum’s Design Department. A selection of unsigned blown glass that illustrates Ennion’s profound influence on the nascent Roman glass industry also is on view. Lenders to the exhibition are The Corning Museum of Glass; Israel Antiquities Authority and the Israel Museum, Jerusalem; Eretz Israel Museum, Tel Aviv; The British Museum; the Louvre; Museo di Antichità, Turin; Musei Civici del Castello Visconteo, Pavia; Museo Archeologico Nazionale di Adria; Yale University Art Gallery; Newark Museum; Chrysler Museum of Art, Norfolk, Virginia; the Yunwai Lou Collection, New York; and the Strada Collection, Scaldasole, Italy. Shlomo Moussaieff, who had the initial concept for the exhibition. Ancient glassworking techniques are demonstrated within the exhibition by means of a video that was commissioned by the Corning Museum of Glass and filmed at the Roman-style wood-fired furnace at Villa Borg, Germany. Exhibition design is by Daniel Kershaw, Exhibition Design Manager; graphics are by Mortimer Le Bigre; and lighting is by Clint Ross Coller and Richard Lichte, Lighting Design Managers, all of the Museum’s Design Department. Pyxis with Lid, Eastern Mediterranean, probably Palestine, probably Syria, 55.1.68. Ribbed Bowl, Roman Empire, possibly Italy, possibly Eastern Mediterranean, 79.1.39. Pitcher (detail), Roman Empire; probably Syria; possibly Palestine, 1-99. The catalogue is made possible by The Adelaide Milton de Groot Fund, in memory of the de Groot and Hawley families. Education programs will include exhibition tours and a Friday Focus lecture on February 20 by William Gudenrath, an authority on historical hot glassworking techniques. Lightfoot, Curator, Department of Greek and Roman Art. Weiss), ill., with extensive bibliographical references; R. Oakley (eds.), Hermeneutik der Bilder-Beiträge zu Ikonographie und Interpretation griechischer Vasenmalerei, Beihefte zum Corpus Vasorum Antiquorum Deutschland: Band IV (Munich, 2009) 88, cat. 83 The firm specialises in classical antiquities including vases, bronzes, jewellery and sculpture from Greece, Etruria, Egypt and Rome. ANCIENT JEWELRY, 11 December 2014, New York, Rockefeller Plaza. Photo Christie’s Image Ltd 2014 The reverse concave, the obverse slightly convex, engraved with a draped bust of Livia, her center-parted hair pulled back over her ears, with a bun at the nape of her neck secured by a braid, a laurel wreath in her hair; 1 ¼ in. Provenance: with Michel Albert Manoukian, Paris, 1975. Prices range from about ,000 to the low seven figures. ANCIENT JEWELRY, 11 December 2014, New York, Rockefeller Plaza. Photo Christie’s Image Ltd 2014 Composed of forty-nine oblong embossed elements in the form of two birds joined at their tails, the elements joined by wire loops on the reverse, one tongue-shaped terminal preserved; centered by an oval box with a crimped border, set with the cameo depicting the draped bust of a woman in profile to the right, the details finely delineated; 15 ½ in. Provenance: Private Collection, Germany, 1960s-1986. Many boast sterling provenances dating back generations to Europe’s most prominent collecting families, including the de Clercqs, and the Rothschilds as well as from the celebrated jewelry collectors Dame Joan Evans, Ernest Guilhou, Ralph Harari, and Melvin Gutman.
AD, Marble, portrait head of a man, Roman, TEFAF 2015 Classical Antiquities . The ring comes with a secret compartment that contained an opiate in some form.
ANCIENT JEWELRY, 11 December 2014, New York, Rockefeller Plaza. Photo Christie’s Image Ltd 2014 In the form of a snake, formed from a solid coiled wire, circular in section, the well-articulated head overlapping the tail, the dorsal and ventral scales defined by stamped chevron, three lines of incised dots extending from the scales on either side terminating in three dots, the finely detailed head with enamel eyes and an open mouth; 3 1/16 in. Renaissance Rothschild Diamond Ruby and Enamel Gimmel Ring with Memento Mori, dated 1631.
Photo Christie’s Image Ltd 2014 The obsidian hoop slightly convex on the interior, rounded on the exterior, with broad shoulders, the oval bezel set with a pale transparent thin green glass gem engraved with the Dioscuri standing on a groundline, Castor and Pollux both depicted nude, each armed with a crested helmet, holding a spear in one upraised hand, a sheathed sword and a shield in the other, the engraved areas overlaid with gold foil; 1 ½ in. Provenance: Private Collection, Germany, 1960s to 1986. The hoops can be plain, as seen on the example presented here, or ornamented, and are typically made from carnelian, chalcedony, rock crystal, and amber (see for example nos. Spanning from the 1st century BC to the mid-19th century AD, the rings will be on public view together for the first time and for sale at Les Enluminures’ New York gallery from October 31 through December 6, 2014.
These advances revolutionized the glass industry under the Roman Empire, making glass vessels accessible to all and allowing producers to create a wide range of shapes, sizes, and usages. Knobbed or Lotus-Bud Beaker, Roman Empire, 59.1.80. Glassware—primarily jugs and cups—signed by Ennion was traded throughout the entire Mediterranean world and has been found during archaeological excavations at sites from Israel to Spain. Beaker (detail), Roman Empire; possibly Northern Italy; possibly Gaul, 50-100. Lenders to the exhibition are The Corning Museum of Glass; Israel Antiquities Authority and the Israel Museum, Jerusalem; Eretz Israel Museum, Tel Aviv; The British Museum; the Louvre; Museo di Antichità, Turin; Musei Civici del Castello Visconteo, Pavia; Museo Archeologico Nazionale di Adria; Yale University Art Gallery; Newark Museum; Chrysler Museum of Art, Norfolk, Virginia; the Yunwai Lou Collection, New York; and the Strada Collection, Scaldasole, Italy. Shlomo Moussaieff, who had the initial concept for the exhibition.
This is the first exhibition of ancient glass organized by the Metropolitan, which has one of the finest collections of this material in the world. The exhibition features works from museums and private collections in Europe, Israel, and the United States.